Nine at the Beginning, being firm and yang, belongs to the body of brightness and dwells below; it represents a noble person who possesses the virtue of firmness and brightness while remaining below.
A noble person in a place without rank has nothing to apply to the world; he merely adorns his own conduct. Toes are taken because they are below and that by which one walks.
The noble person's way of self-cultivation and adornment is to rectify his conduct, maintain integrity, and abide in righteousness; his actions are never heedless. If according to righteousness it is not proper, he relinquishes a carriage and prefers to go on foot.
What the multitude considers shameful, the noble person regards as adornment. The meaning of relinquishing a carriage and going on foot is taken concurrently from closeness and correspondence: the initial line is close to the second and corresponds to the fourth.
Corresponding to the fourth is correct; associating with the second is not correct.
The firmness and brightness of Nine preserves righteousness: it does not associate closely with the second, but corresponds from afar to the fourth, abandoning the easy and following the difficult, just like relinquishing a carriage and going on foot.
Maintaining integrity and righteousness is the noble person's adornment. Therefore, what the noble person regards as adornment, the worldly view with shame; what the worldly prize, the noble person disdains.
Speaking in terms of carriage and walking on foot is because toes and walking provide the meaning. The Image says: "He relinquishes a carriage and goes on foot: in righteousness he does not ride."
Relinquishing a carriage and going on foot means that in righteousness he cannot ride. For the initial line, corresponding to the fourth is correct; following the second is not correct.
Forgoing the ease of the nearby second to follow the difficulty of the fourth is relinquishing a carriage and going on foot. The noble person's adornment is simply maintaining his righteousness.