Yichuan YizhuanLine statement
Six in the Third Place, with a substance that is yin, soft, and neither central nor correct, dwells at the extremity of danger yet employs firmness—dwelling in yang means employing firmness. It represents the worst way of handling oppression.
A rock is hard, heavy, and difficult to overcome; briers are prickly and impossible to lean upon.
If the third line advances upward with firmness and danger, the two yang lines above cannot be overcome by its strength; they are hard and unassailable, so it only oppresses itself further—this is being 'oppressed by a rock.'
With its unfitting virtue, it sits atop Nine in the Second Place's firm centrality; its restlessness is like resting on prickles and leaning upon briers. Both advancing and retreating bring deeper oppression; wishing to rest peacefully in its place becomes even more impossible.
The palace is the dwelling of peace; the wife is the mistress of peace. Knowing that advance and retreat are impossible, yet wishing to rest in its dwelling, it loses its place of peace. Advancing, retreating, and remaining are all impossible; only death remains.
Its misfortune can well be known. The Great Treatise says: 'To be oppressed by what should not oppress is sure to bring disgrace to one's name; to lean upon what cannot be leaned upon is sure to bring peril to one's person.
When one is both disgraced and endangered, the hour of death approaches—how could one see one's wife?' The two yang lines cannot be violated, yet it offends them to invite oppression; this is being oppressed by what should not oppress, disgracing its name through evil deeds.
The third line is above the second, naturally leaning upon it; if it could be humble, soft, and yield beneath it, no harm would come. Yet it employs firmness and danger to ride atop it, becoming restless and inviting oppression like leaning on briers.
In this state, death approaches; how could the mistress of peace be seen?