All lines of Jiàn take the wild goose as their image. The wild goose as a creature arrives in season, and its flocks maintain order; not missing its seasons and sequence constitutes gradual advance.
The bank is the water's edge; wild geese are water birds, and stopping at the water's edge is staying very close to the water. Its advance can truly be called gradual.
Moving in accord with the season is what is called gradual; advancing gradually without losing proper sequence, it attains what is fitting. Six dwells at the beginning, at the very bottom; its yin talent is extremely weak, and above it lacks corresponding aid.
To advance with this is what ordinary sentiment worries over. But the noble person possesses profound insight and far-reaching vision: he knows where principle and righteousness rest peacefully, and what the circumstances of the time require, dwelling in them without doubt.
Petty persons and young boys can only see what has already happened, following the consensus of the crowd; unable to illuminate principle, they feel peril and utter reproaches, not understanding why advancing from below is justified, why using yielding avoids rashness, and why lacking resonance enables gradualness.
In terms of righteousness, it is naturally without blame. If at the inception of gradual advance one were to use firmness and advance rashly, one would lose the meaning of gradualness, failing to advance and certainly incurring blame.